Middling English
ELEMENTS
1 headphone piece, 2 sited soundworks, 2 vinyl text on walls, 1 wall of broadsides, 1 architectural structure, 4 hanging weights, 4 broadsides. Broadsides could be taken by audience.
TEAM
Adam Parkinson: Soundwork, spatial sound design
Zahra Mani: Soundwork “Personal Cropper”
DvsN & John Hansard Gallery team: Architectural structure
Alex Prokop: Broadside design
Nicolas Rowe: reading
OVERVIEW
Middling English investigates modes of writing from the printed letter to a loose realm of audio, graphic, kinetic and perceptual writing and reading environments. The exhibition brings together multi-sensory elements — spoken pieces, audiophonic compositions, printed broadsides. Textual works combine Chaucerian contemporaneity with bilingual audioworks and the persistent memory world of pop lyrics.
This is the first installation in which I explored various aspects of historic English. Some pieces introduced here are later explored as independent projects: 1DJ2MANY, CROP and the text sequence “Shorter Chaucer Tales” published in Meddle English.
REVIEWS
Installation: MIDDLING ENGLISH (2010)
Film retracing objects and sounds of solo installation Middling English. Includes on site interview. John Hansard Gallery, Southampton.
Filmed & edited by Erica Scourti. Produced by Caroline Bergvall.
In conversation: with Stephen Foster
Around MIDDLING ENGLISH solo show. Caroline Bergvall talking to Stephen Foster, director of the John Hansard Gallery, 2010