Noping

I went looking for my Nordic roots in the English language and found this sign:

/Þ/


Digital work activating transhistoric exploration of the letter /Þ/ obsolete in the English alphabet. 
Also starting-point to the wider research, writings and artworks of Drift.

  • "One of the most compelling performers and brilliantly inventive poets of our time, Caroline Bergvall is completely in control of her stage craft and a master of multiple languages - ancient and modern. This is a truly international show - taking the audience beyond borders of language and time."

    —Rachel Lichtenstein, Artist, writer and curator of Shorelines

  • “I was transported! Seemed she was collaborator to breeze, birds, passing boats. Made me relaxed yet hyper aware of surroundings."

    —Someone, Somewhere

  • “The threshold spaces where Ragadawn is performed are not only points of conflict but of fluidity: where cultures blend, languages overlap, people trade and fall in love. Places where understanding and solidarity become possible.”

    —Emily Bick, The Wire

  • “A polyphonic dawn chorus in the Essex edgelands.”

    —Nancy Groves, The Guardian

Opening section of my live performance Battles, Gru/Transtheatre, Geneva, 2014.
With Ingar Zach, sound and live percussion.

An unexpected tripping into English-language history. A poem in which noping is where nothing was.

Its a fine day • you step on to the top soil of your strata • you trip over some þing nearly makes you fall over • you look down but cant see any þing •

Text and project: CBergvall Audio recording: Graham Williams. Programming: Ciarán O’Meachair. 

“Noping” was produced in partnership with the Museum of Contemporary Art Denver, as part of Triple Canopy’s contribution to the exhibition Postscript: Writing after Conceptual Art, curated by Nora Burnett Abrams and Andrea Andersson and on view from October 12, 2012, to February 3, 2013. “Noping” was also published as part of Triple Canopy’s Internet as Material project area, which receives support from the Andy Warhol Foundation for the Visual Arts, the Brown Foundation, Inc., of Houston, the Lambent Foundation Fund of Tides Foundation, the National Endowment for the Arts, the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts.

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Ragadawn